“I’ve spent my whole life making sense of ‘home'” says Giulietta Tisminetzky — a writer, actor, director, and theatre-maker whose work explores identity, sexuality, and consent. We meet in her East London kitchen — part studio, part refuge. The table is scattered with scripts, books, and half-burnt candles. She doesn’t apologise for the disorder. “There’s order in my disorder,” she smiles. What does 'home' mean to you personally? Tisminetzky’s idea of home has never been fixe

Martina Troni is an Italian actress and model whose path has woven through the seemingly disparate worlds of art and analysis. With a background in financial mathematics and a current pursuit of clinical psychology, she seeks not only to understand the intricacies of the human mind but to deepen her own self-awareness. For Troni, this exploration is inseparable from her craft—psychology, she says, lends her performances a profound emotional resonance. Long captivated by the m

Every summer, Federica Pantana and I spend a weekend at my house in the Hudson Valley, upstate New York. This August, we sat down to discuss poetry, the law, and where we find home. Wearing Missoni Vintage Monique Erickson: The theme of Mulieris' most recent issue is homeward. Federica Pantana: New York is home. I chose it. I fought for it. Momo: You just got your U.S. citizenship a year and a half ago. You are proudly Italian by birth. What does home mean to you? Fede: T

Salome. She's not only one thing ... she's a lot more. She’s a fairy dream ... A talented actress and artist who mostly lives in a “wobbly world,” and maybe comes from another era, even if she's super young. Talking to her felt like being in an old French movie or in a secret garden from the 19th century, or like coming out of one of her cabinets of curiosity. A few words... First, a poem: I read this when I was in high school. I often think of the first sentence,” lingering

Jewelry designer, model, and New Yorker, Jade Boulton has always prized punctuality. Growing up in New York taught her freedom, but also disillusionment. “It’s so easy to live a dozen lives here,” she says, her tone both matter-of-fact and wistful. For her, that multiplicity is the city’s greatest allure—its promise of endless reinvention, understood only by those who truly know it. Her earliest life was defined by her hands. Since the age of seven or eight, she’s been playin

In recent months, much of the public debate surrounding feminism has appeared to focus on its performative dimension. Across social media, marketing campaigns, and even political discourse, the word feminism is increasingly being branded, transformed into a label to be displayed rather than a practice of concrete political struggle. Hashtags, merchandise, "Instagrammable" demonstrations, and influencer profiles seem to have replaced grassroots organizations, community network

"She was a powerhouse, and her greed let her scale the multiple paths of life, walking through fields of bows lived in by colorful creatures, having adventures of many kinds, meeting the ogres and princes. She wore the highest heels to run faster and see further, where fields tend to disappear. A stage awaits her and us, it's the performance of life: a show made of sparks that dissolve in the many breaths it takes to reach it. If that's a dream she will not be caught." Ph & P

I speak to Emilia Momen through a screen. There is a gentle evening warmth that is lighting up her paintings which cover the walls behind her, studies of bodies and photos she's taken, alongside finished work for an upcoming group show that she is preparing for. She is soft spoken, and tells me about the last studio she has just moved from. Where she used to live in a mezzanine behind a green velvet curtain, with her paintings all around her as she slept. She grew up with her

What has always struck me about Martina in the long time we’ve known each other is her ability to transform pain into possibility and knowledge. As I began exploring the body more deeply, I realized that surface-level explanations were no longer enough for me—medical diagnoses that fail to consider the impact of emotional life on health felt insufficient. I don’t believe true wellbeing can be achieved through mainstream wellness culture, despite how often it appears online.

This series of interviews originates within my studio, a space that aims above all to be intimate and welcoming, where photography is only the starting point for a broader conversation. I am Sara Lorusso, a photographer and co-founder of Mulieris, and I imagined these encounters as moments of exchange in which to chat freely, without a rigid structure, in order to enter the world of those who make photographs today. I will invite different photographers to talk about their wo

We visited the studio of Susana Ljuljanovic, who holds a degree in Painting from the Academy of Fine Arts of Bologna, where she currently lives. Her practice spans installation, video, performance, painting, and sculpture. Memory, dreams, and nature in their contemplative dimension are the primary sources of inspiration for her artistic research. From this exchange emerge works that function as tools for absorption, containment, transformation, and the creation of a language

The female body is just a body. The female body is not just a body. It is the vital matrix of ancestral knowledge. It carries collective and personal memories and embodies struggles, care, desires and resistances. It makes power and vulnerability coexist, trying to breathe in its entirety, between normative discourses that attempt to discipline and standardize it, and gender-based violence that tries to master it and diminish it, failing to see that what happens in the female

“This work does not treat femininity as something to be performed or consumed, but as a memory inherited from the past, quietly embedded within the body. Together with a liberated body, freed from constraints and prescribed roles, it seeks to reconstruct a femininity that has continued across generations, reimagined through a contemporary perspective. Something new, yet somehow old. Refined, yet carrying a certain warmth. It is a quiet yet powerful exploration of femininity a

Nino told me this story over dinner about the Brissago Islands, and about Antonietta Saint-Léger, who, at the end of the 19th century, transformed a small, isolated place into something entirely her own. Her husband, Richard Fleming, moved through the world and returned to her with seeds gathered from his travels. Not as trophies, but as fragments of distant landscapes, entrusted to her hands. Those seeds came from different climates, different geographies, places that were n

What does it mean to stay in relation to something that no longer exists in the present? In Katherine Qiyu Su’s work, painting becomes a way of negotiating this question, transforming memory not into something fixed, but into something that can be revisited, reshaped, and quietly released. Recently showcased at Incubator gallery in London with her exhibition Mountains and Rivers Will Meet Again , her practice unfolds within a space where emotional residue, perception, and im

"This series was born in the anticipation of a flash, with the gentle yet powerful Yulissa, nine months pregnant with her son Liliak. I photographed her in Paris, the city she has chosen as home for the past fifteen years, although her roots trace back to Peru, which she carries in her heart and in the features of her captivating face. Yulissa blends gracefully into sculptures of deities, nymphs, and other iconic works of art, patient yet alert, waiting for a flash. And in he

In a society where the body is constantly observed, measured, and performed but rarely felt, Corpo Consapevole emerges as a space for slowing down and listening inward. What began in 2019 as a personal visual diary by Marika Zaramella, gradually evolved into a collective exploration of embodiment, creativity, and emotional awareness that’s opening its door to us for the first time on March 19th in Milan. Shorts: PLĀS collective
 Earcuff: Jade Kitsune
 Shoes: Marsèll When d

Located at Lancetti Railway Station, spazioSERRA exists in a state of productive in-between. Neither fully a gallery nor simply a site of transit, the project inhabits a former octagonal newsstand with glass walls, a structure that resists enclosure. Art here is never entirely inside; it is already exposed to the city, to peripheral vision, to distraction, to the unplanned gaze of someone catching a train. Founded in 2017 as a nonprofit curatorial initiative, spazioSERRA has

There are cultural shifts that arrive quietly, almost imperceptibly. A collective gesture, a game, a gathering, a desire begin to move a few millimetres, and suddenly that movement becomes the beginning of something larger. DAUGHTERS, an exhibition curated by systemarosa, on display till December 7th at Galerie Joseph in Paris, exists in this in-between space: where girls who once loved football from its edges return to witness it from the inside. Founded by Naomi Accardi and

In un contesto culturale e sociale dove le voci femminili e le narrazioni marginali vengono spesso ignorate, nascere significa prima di tutto creare spazio. Mulieris e Walk The Talk prendono forma proprio da questa urgenza: rivendicare presenza, abitare luoghi che sembravano non esserci e costruire comunità attraverso la propria voce e il proprio lavoro artistico. Entrambi i progetti nascono dall’assenza di spazio e, proprio per questo, scelgono di crearlo, non solo per sé, m

In 2011, at the age of nineteen, Chef Daisy Beale left her life in England to call Thailand her new home. There she thrived, met like-minded people, ran her own restaurant, and found her place in a new world. A decade later, after exploring Bali, as well, Daisy returned to London, ready to bring her experiences to her next culinary adventure in the city she was ready to call home again. She began “Magic Momo,” her residency at the infamous Nam Long Le Shaker, a cocktail bar a

Yesterday I met with Yasmin and Bea , a writer and photographer I’m collaborating with for an upcoming Mulieris editorial. I’ve been in London since February, partly to work closely on the next print issue of our magazine, and our conversation brought up a reflection I wanted to share about the intersection of art and class. As we spoke about our careers and how we shifted into our artistic research Yasmin said something that resonated with a turning point I’ve experienced t

Nel suo primo libro “Unfulfilled” pubblicato da Blurring Books, Domino Leaha ci conduce in un viaggio che attraversa più di dieci anni di ritratti intimi, dal 2014 al 2024. La fotografia non racconta solo i volti dei soggetti; artisti, musicisti, attori, amici, muse e amanti, ma la loro vulnerabilità, i desideri sospesi e le mancanze che abitano i legami più profondi. Domino nei suoi ritratti cattura non solo persone, ma soprattutto le emozioni che si generano nel rapporto

Il 3 ottobre l’Italia si è fermata. Non completamente, ma abbastanza da far rumore. Treni sospesi, porti rallentati, università e scuole con le aule semivuote. Uno sciopero generale che non nasceva da una vertenza economica ma da una vertenza morale. Dalla constatazione che il silenzio istituzionale sulla Palestina non è più sostenibile, che la distanza tra chi governa e chi vive è diventata abisso. Le istituzioni, davanti all’abbordaggio della flottilla umanitaria diretta a